"The first compilation of writings by a master of photography.One of the leading lights in photography of the twentieth century, Henri Cartier-Bresson is also a shrewd observer and critic. His writings on photography and photographers, which have appeared sporadically over the past forty-five years, are gathered here for the first time. Several have never before appeared in English.The Mind's Eye features Cartier-Bresson's famous text on ..."
"Henri Cartier-Bresson's Tête à Tête contains the photographer's portraits of some of the most potent icons of the latter half of the 20th century. The book is understated, yet powerful and challenging--a masterpiece of the photographer's art of composition and expression. Presented in nonchronological order, yet arranged to provide links and parallels in posture and facial likenesses, familiar icons easily mix with anonymous subjects: a ..."
"Henri Cartier-Bresson (1908-2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as "Life" while retaining control over their work. Cartier-Bresson would go on to ..."
"The first full biography ever published on this complex, curious, brilliant man. The twentieth century was the century of the image and Henri Cartier-Bresson (1908-2004) was the eye of the century. Through the decades, this eye focused on Africa in the 1920s, the tragic fate of the Spanish Republicans, and the victory of the Chinese Communists. It was Cartier-Bresson who fixed in our minds the features of his contemporaries: Giacometti ..."
"One evening in 1956 our friend Andrew Wolf burst into our house in Rochester with the startling news that he had bought a weekly suburban paper, The Brighton-Pittsford Post. He explained that he planned to report local news and publish columns on a variety of subjects, such as reviews of the theater, concerts, motion pictures and cooking. -You'll be the food editor, - he told me! -What! I can't do that!- -Why not? I know you can write b ..."
About Russia(1st Edition) by HenriCartier-Bresson Hardcover, Published 1974 by Viking Press ISBN-13: 978-0-670-10061-3, ISBN: 0-670-10061-7
"Former library book, so contains the usual bits of taping, stamping and marking. No writing, underlining or highlighting inside. Overall in really nice shape."
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""Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory--the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is ..."
"HardCover. Pages: 96 Publisher: Aperture Henri Cartier-esson reveals - as only a few great artists have done consistently - the variety and richness of human experience in the twentieth century. This second volume of Aperture's Masters of Photography series confirms the genius of the photographer who - with the new. smaller. hand-held cameras and faster films - defined the idea of ??the decisive moment in photography. Cartier-esson's im ..."
About Russia(Illustrated) Photographs by HenriCartier-Bresson Paperback, 200,180 Pages, Published 1974 by Thames & Hudson Ltd Illustrated ISBN-13: 978-0-500-54019-0, ISBN: 0-500-54019-5
"Like new, one of the coolest photo books ever. Check our positive feedback and happy customers and buy with confidence. NO SHIPPING OUTSIDE OF US. Then we send you a confirmation e-mail. We appreciate your business and welcome any questions."
"Aperture is pleased to present the elegantly updated and refreshed Henri Cartier-Bresson edition of the Aperture Masters of Photography Series. With an introduction by notable curator Clément Chéroux, this edition includes new, image-by-image commentary and a chronology of this influential and iconic artist’s life. Initially presented as the History of Photography Series in 1976, the first volume of the Masters of Photography Series fea ..."
"“Will inspire fans and followers to rediscover its elusive subject’s remarkable oeuvre.” —Publishers Weekly The twentieth century was that of the image, and the legendary photographer Henri Cartier-Bresson, born in 1908, was the eye of the century. Cartier-Bresson was always on the spot, recording historic events as they happened. His work focused on Mexico in the 1930s, the tragic fate of the Spanish Republicans, the liberation of Pari ..."
"This title brings together the images from Cartier-Bresson's various assignments in the United States, which he first visited in the mid-1930s. Spanning several decades, these works show the rich social diversity of American society. Gilles Mora has travelled to many of the places featured in these photographs and provides an introduction to the images. The foreword discusses Cartier-Bresson's ability to capture the reality and essence ..."
"For more than 45 years, Henri Cartier-Bresson's camera has glorified the decisive moment in images of unique beauty and lyrical compassion. From the cities of war-torn Europe to the rural landscape of the American South, this retrospective volume shows the lifework of a legendary photographer. 155 duotone illustrations."
"Gorgeous duotones that show how, for Cartier-Bresson, art is an expression of common humanity. Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the skill with which he captured the most fleeting of scenes. This volume includes his photographs of France, Spain, America, In ..."
"The photography of Henri Cartier-Bresson has resulted in a body of work unique in the history of this craft, not alone in kind but in quality. Apart from the fac that he is responsible for more individual memorable images than any other photographer in his epoch, his attitude toward is art...is based on a philosophy at once traditional, logical, and exemplary."