"Discourses in Painting Established in 1977, the Daimler Art Collection is one of the most important, internationally renowned corporate collections in Europe, comprising roughly 1,800 works of art with a special focus on twentieth-century abstract art. "Discourses in Painting" documents recent exhibitions of the collection in Berlin, Vienna and Buenos Aires."
"German-born artist Adolf Fleischmann (1892 1968) was a celebrated abstract painter in the US from the 1950s through the 1960s. He emigrated to the US in 1952 after struggling to survive as an artist through two world wars. In celebration of his rich career, over 100 paintings spanning a 30-year period are beautifully illustrated for the first time in the retrospective catalog and exhibition at Daimler, Berlin (2016), which pairs his New ..."
"First published in 2006, and soon out of print, "Minimalism and After" is a now classic presentation of Minimalist and Postminimalist tendencies from the 1960s to the present day. The images in this hefty volume track some of Minimalism's major contributions: the essentially sculptural presence of the picture-object, coolly geometrical structures, works presented so that they relate to the space and the viewer, and a rejection of symbol ..."
Hartmut Böhm, or-or, 2015. 2016 Tischvitrine aus sieben Teilen mit Plexiglashauben / Daimler Art Collection ; Herausgeber RenateWiehager für Daimler AG, Christian Ganzenberg ; Texte NadineBrüggebors, Christian Ganzenberg, RenateWiehager ; Übersetzung Alison Kirkland ; Fotografien Florian Böhm, München / Artist book ; #8. by Hartmut Böhm, RenateWiehager, NadineBrüggebors, Christian Ganzenberg, Florian Böhm Paperback, 280 Pages, Published 2016 by Snoeck ISBN-13: 978-3-86442-187-7, ISBN: 3-86442-187-X
"These are arrangements of found objects from the studio, drawing apparatus, working materials, working tools, adhesive tape rolls, index card boxes, invitation cards, and brochures on simple tables, arrangements in which the individual ..."
"The enormous canvases of Swiss painter Andy Denzler (born 1965) portray human figures and faces, sourced from photographs and striated by horizontal lines of paint, in the fashion of Gerhard Richter. "The Human Nature Project" gathers a series of recent works that project his brooding, semi-apocalyptic vision of humanity."