"This edited collection explores the relationships between humans and nature at a time when the traditional sense of separation between human cultures and a natural wilderness is being eroded. The 'Anthropocene, ' whose literal translation is the 'Age of Man, ' is one way of marking these planetary changes to the Earth system. Global climate change and rising sea levels are two prominent examples of how nature can no longer be simply tho ..."
""Third Text" is a journal on art in global context. Challenging received notions of art practice, art history, popular media and cultural theory, "Third Text" has never been content to accept the claims of anti-racism, multiculturalism or postcoloniality. It has championed new artists from five continents, and is designed to raise the critical temperature and the political stakes for art and cultural practice in the age of globalization ..."
The Robot in the Garden(Updated) Telerobotics and Telepistemology in the Age of the Internet (Leonardo Books) by Ken Goldberg, Roger F. Malina, SeanCubitt Paperback, 392 Pages, Published 2001 by The Mit Press ISBN-13: 978-0-262-57154-8, ISBN: 0-262-57154-4
"An interdisciplinary collection of essays on telepistemology―the study of knowledge acquired at a distance.The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitate ..."
""Third Text" is a journal on art in global context. Challenging received notions of art practice, art history, popular media and cultural theory, "Third Text" has never been content to accept the claims of anti-racism, multiculturalism or postcoloniality. It has championed new artists from five continents, and is designed to raise the critical temperature and the political stakes for art and cultural practice in the age of globalization ..."
"The first collection of writings on poetry that is composed, disseminated, and read on computers; essays and artist statements explore visually arresting, aurally charged, and dynamic works that are created by a synergy of human beings and intelligent machines.New media poetry -- poetry composed, disseminated, and read on computers -- exists in various configurations, from electronic documents that can be navigated and/or rearranged by ..."
"A sourcebook of documentation on women artists at the forefront of work at the intersection of art and technology.Although women have been at the forefront of art and technology creation, no source has adequately documented their core contributions to the field. Women, Art, and Technology, which originated in a Leonardo journal project of the same name, is a compendium of the work of women artists who have played a central role in the d ..."
"In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the v ..."
"An interdisciplinary collection of essays on telepistemology-the study of knowledge acquired at a distance. The Robot in the Garden initiates a critical theory of telerobotics and introduces telepistemology, the study of knowledge acquired at a distance. Many of our most influential technologies, the telescope, telephone, and television, were developed to provide knowledge at a distance. Telerobots, remotely controlled robots, facilitat ..."
Green Light Toward an Art of Evolution (Leonardo Book Series) by George Gessert, Roger F. Malina, SeanCubitt Paperback, 264 Pages, Published 2012 by The Mit Press ISBN-13: 978-0-262-51730-0, ISBN: 0-262-51730-2
"Humans have bred plants and animals with an eye to aesthetics for centuries: flowers are selected for colorful blossoms or luxuriant foliage; racehorses are prized for the elegance of their frames. Hybridized plants were first exhibited as fine art in 1936, when the Museum of Modern Art in New York showed Edward Steichen's hybrid delphiniums. Since then, bio art has become ..."
"Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internatio ..."
"How art makes visible what had been invisible―the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age.The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigatin ..."
Anecdotal Evidence Ecocritiqe from Hollywood to the Mass Image by SeanCubitt 400 Pages, Published 2020 by Oxford University Press ISBN-13: 978-0-19-006573-7, ISBN: 0-19-006573-7
"Anecdotal Evidence provides an outline of the need for and principles of anecdotal method; a case study of eco-critical themes in Hollywood films shaped by the Global Financial Crisis; and a confrontation with mass image databases of social ..."
"Victor. Tupitsyn. Susan Buck-Morss In your 'Civitas Solis: Ghetto as Paradise',
you state that 'Socialist Realism is not transportable'.1 You argue that it is
necessary to interpret this artistic phenomenon within the context of Soviet
experience, ..."
"An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods.“Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of h ..."