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Abstraction
(Whitechapel: Documents of Contemporary Art)
by David Batchelor, Charles Baudelaire, Charles Blanc, John Ruskin, Alphonse Allais, Herman Melville, Arthur Rimbaud, Gustave Moreau, Max Nordau, Paul Gauguin, Paul Signac, Maurice Denis, Henri Matisse, Roger Fry, Umberto Boccioni, Giacomo Balla, Gino Severini, Wassily Kandinsky, Oswald Spengler, Luigi Russolo, Walter Benjamin, Clive Bell, Albert Gleizes, Jean Metzinger, Robert Delaunay, Le Corbusier, Kazimir, Amédée Ozenfant, Carlo Carrà, Piet Mondrian, Vincent Van Gogh, Joris Karl Huysmans, Rainer Maria Rilke, Naum Gabo, Anton Pevsner, Alexander Rodchenko, Paul Klee, Theo Van Doesburg, Osip Brik, Carl Jung, Adrian Stokes, Mark Rothko, Fernand Léger, Sergei Eisenstein, Ludwig Wittgenstein, Bernard Berenson, Carlos Cruz-Diez, Victor Vasarely, Aldous Huxley, Henri Michaux, Yves Klein, Piero Manzoni, Roland Barthes, Donald Judd, Barnett Newman, Hélio Oiticica, Josef Albers, Helen Frankenthaler, Sonia Delaunay, Jules Olitski, Robert Morris, Ad Reinhardt, Daniel Buren, Maurice Merleau-Ponty, Johannes Itten, Claude Levi-Strauss, Robert Smithson, Stan Brakhage, Italo Calvino, Jean Baudrillard, Thomas Pynchon, Johnny Cash, William H. Gass, Faber Birren, Theodor W. Adorno, Julia Kristeva, Jacques Derrida, Brice Marden, Anne Truitt, Gerhard Richter, Kenneth Noland, Peter Halley, Manlio Brusatin, Gilles Deleuze, Thierry De Duve, Umberto Eco, C. L. Hardin, Jacqueline Lichtenstein, Stephen Melville, Mike Kelley, Paul Auster, Bridget Riley, Jessica Stockholder, Milan Kundera, Derek Jarman, Quentin Tarantino, Subcomandante Insurgente Marcos, Yoko Ono, Victoria Finlay, Magnetic Fields, Rem Koolhaas, Ellsworth Kelly, Rachel Whiteread, Linda Besemer, Melanie Smith, Beatriz Milhazes, David Reed, Susan Hiller, James Welling, Polly Apfelbaum, Yinka Shonibare, Jimmie Durham, Pedro Cabrita Reis, Mel Bochner, Tacita Dean, Iwona Blazwick
Paperback, 240 Pages, Published 2008 by The Mit Press
ISBN-13: 978-0-262-52481-0, ISBN: 0-262-52481-3
"Whether it is scooped up off the palette, deployed as propaganda, or opens the doors of perception, color is central to art not only as an element but as an idea. This unique anthology reflects on the aesthetic, cultural, and philosophical meaning of color through the writings of artists and critics, placed within the broader context of anthropology, film, philosophy, liter ..."
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