"Bildpolitiken in transkultureller Perspektive. Thomas Kirchner zum 65. GeburtstagGebundenes BuchAemulative Handlungen wirken sich oft progressiv aus, sei es durch innovative Adaption, Modulation oder Perfektion von bereits Vorhandenem, aber auch durch ironische Brechung mit traditionellen Sehgewohnheiten. Diese Prozesse, durch die kulturelle, soziale und mediale Gegebenheiten sowohl in der Produktion als auch in der Rezeption von Kunst ..."
"Fur die kunsthistorische Forschung liefern Textquellen wichtige Indizien zur Erschlieaung von Artefakten und ihren Entstehungskontexten."
The Changing Face of Childhood(1st Edition) British Children's Portraits and Their Influence in Europe by Mirjam Neumeister Hardcover, 214 Pages, Published 2007 by Merrell Pub Ltd ISBN-13: 978-3-8321-7793-5, ISBN: 3-8321-7793-0
"Since the 1980s, American sculptor Rita McBride (born 1960) has toyed with the relationship between functionalism and formalism in public structures. Relying on materials such as aluminum, brass and steel, she mines the sculptural possibilities of mass-produced goods. This publication features a series of works that reference the architectural plans of Le Corbusier, ironically reconceived as interior decorative objects."
"Pia Fries (born in 1955 in Beromunster, Switzerland) studied under Gerhard Richter at the Art Academy in Dusseldorf, where she developed her signature style. It is defined by her use of paint as material--rather than letting composition and coloration be the central determinants of the way her canvasses look, she uses textural patterns and crisscrosses to construct and reconstruct them. Like islands, her feathery and occasionally geomet ..."
"The Swiss painter Pia Fries studied in the 1980s under Gerhard Richter at the Kunstakademie in Dusseldorf. Her paintings are defined by how and in what form she applies paint; composition and colouration are not the sole determinants of the way they look. Rather paint as material - its surface producing patterns and criss-crosses - generates painterly suggestions. Like islands, the paint marks hover above a white ground, either isolated ..."