""Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?"In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current ..."
"Translated by Steven Corcoran Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices ..."
"But political realists, remarks Jacques Ranciere, are always several steps behind reality, and the only thing which may come to an end with their dominance is democracy. ‘We could’, he suggests, ‘merely smile at the duplicity of the ..."
"What distinguishes fiction from ordinary experience is not a lack of reality but a surfeit of rationality – this was the thesis of Aristotle’s Poetics. The rationality of fiction is that appearances are inverted. Fiction overturns the ordinary course of events that occur one after the other, aiming to show how the unexpected arises, happiness transforms into unhappiness and ignorance into knowledge. In the modern age, argues Rancière ..."
"In this book the influential philosopher Jacques Rancière, in discussion with Peter Engelmann, explores the enduring connection between politics and aesthetics, arguing that aesthetics forms the fundamental basis for social and political upheaval. Beginning from his rejection of structuralist Marxism, Rancière outlines the development of his thought from his early studies on workers’ emancipation to his recent work on literature, film a ..."
"In The Lost Thread, Rancière debunks the notion of Flaubert, Baudelaire, Conrad, Woolf and Keats as reactionary producers of bourgeois mythologies, and instead foregrounds the egalitarian and democratic impulses of modernist literature. Contrary to the canonical interpretation of the relation between modernism and capitalism via the commodification of everyday life, Rancière proposes a radical rethinking of our received ideas regarding ..."
"‘The point is to get away from questions of origin, to forget about where a theory or a form of knowledge or politics come from originally, and to define instead scenes where we can see things play out, with the idea that the origin itself is a kind of scene’: this is how Jacques Rancière defines his intellectual project. In this long conversation with Laurent Jeanpierre and Dork Zabunyan, Rancière demonstrates the richness and fruitful ..."
"‘The point is to get away from questions of origin, to forget about where a theory or a form of knowledge or politics come from originally, and to define instead scenes where we can see things play out, with the idea that the origin itself is a kind of scene’: this is how Jacques Rancière defines his intellectual project. In this long conversation with Laurent Jeanpierre and Dork Zabunyan, Rancière demonstrates the richness and fruitful ..."
"In The Lost Thread, Rancière debunks the notion of Flaubert, Baudelaire, Conrad, Woolf and Keats as reactionary producers of bourgeois mythologies, and instead foregrounds the egalitarian and democratic impulses of modernist literature. Contrary to the canonical interpretation of the relation between modernism and capitalism via the commodification of everyday life, Rancière proposes a radical rethinking of our received ideas regardin ..."
" Music is the brute that shows. It is the avowal of materials, And stutters between its clanging of things. How should one think this musical groove of the poem whose back and forth motion shuffles the material of ordinary language and revives the frozen speech of old chants? This question by renowned French thinker Jacques Ranciere is the entry point for his earnest and careful reading of one of France s most singular and important co ..."
"Dissensus: On Politics and Aesthetics brings together some of Jacques Rancière's most recent writings on art and politics to show the critical potential of two of his most important concepts: the aesthetics of politics and the politics of aesthetics. In this fascinating collection, Rancière engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, ..."
"Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contra ..."
"In this important new book the leading philosopher Jacques Rancière continues his reflections on the representative power of works of art. How does art render events that have spanned an era? What roles does it assign to those who enacted them or those who were the victims of such events? Rancière considers these questions in relation to the works of Claude Lanzmann, Goya, Manet, Kandinsky and Barnett Newman, among others, and demonstr ..."
"The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Ranciere reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible. Presented as a set of inter-linked int ..."
"From "Almanac of Fall" (1984) to "The Turin Horse" (2011), renowned Hungarian filmmaker Bela Tarr has followed the collapse of the communist promise. The "time after" is not the uniform and morose time of those who no longer believe in anything. It is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved. It is the time of pure material eve ..."
"The foremost philosopher of art argues for a new politics of looking.The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance. In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this ..."
"The politics of literature is not the same as the politics of writers and their commitments, nor does it concern the way writers represent social structures or political struggles. The expression 'politics of literature' assumes that there is a specific connection between politics as a form of collective practice and literature as a historically determined regime of the art of writing. It implies that literature intervenes in the parcel ..."
"In this concise and illuminating study, Jacques Rancière, one of the world's most popular and influential living philosophers, examines the life and work of the celebrated nineteenth-century French poet and critic, Stéphane Mallarmé.Ranciere presents Mallarmé as neither an aesthete in need of rare essences and unheard-of words, nor the silent and nocturnal thinker of some poem too pure to be written. Mallarmé is the contemporary of a re ..."
"Rancière's classic essays from the 1970s, as he was developing his distinctive method.These essays from the 1970s mark the inception of the distinctive project that Jacques Rancière has pursued across forty years, with four interwoven themes: the study of working-class identity, of its philosophical interpretation, of "heretical" knowledge and of the relationship between work and leisure. For the short-lived journal Les Révoltes Logique ..."