"This first survey of rising San Francisco artist Trisha Donnelly, born in 1974, includes photography, drawing, painting, sculpture, sound, video and other elements made between 1998 and 2007. All of Donnelly’s practices are united by questions about the necessity and viability of making art, and the emotional and almost speechless responses that they evoke in the viewer."
""Aperture," the award-winning and pioneering quarterly magazine, was founded in 1952 by a small circle of photographers-Ansel Adams, Minor White, Barbara Morgan and Dorothea Lange-and the influential photography historians, Beaumont and Nancy Newhall. These individuals wished to foster the development and appreciation of the photographic medium, as well as communicate with "serious photographers and creative people everywhere, whether p ..."
"Over the past two decades, the art world has broadened its geographic reach and opened itself to new continents, allowing for a significant cross-pollination of post-conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in this exchange of ideas and sources. This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines ..."
"Parkett's explorations of important international contemporary artists by acclaimed writers and critics continues in Volume 77, which features Trisha Donnelly, Carsten Höller and Rudolf Stingel. Donnelly's videos, sound pieces, photographs and pencil drawings all possess a cunning Jasper Johnsian precision, blending whimsy, restraint and a certain preternatural gamesmanship, while her "live" interventions, rarely witnessed by others in ..."
"At the same time, the extraordinary generosity of her work [...] is electrifying in its permission' - Suzanne Cotter, 2016On the occasion of the awarding of the 2017 Wolfgang Hahn Prize to Trisha Donnelly, the Gesellschaft f r Moderne ..."
"The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality-and vice versa. The imaginary potential of the visual image has become increasingly significant. This ongoing process is designated by the concept of the ..."