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  | | The Image by Jacques Aumont, Claire Pajackowska Paperback, 255 Pages, Published 1997 by British Film Institute ISBN-13: 978-0-85170-410-4, ISBN: 0-85170-410-7 "30 b/w illustrations Jacques Aumont's book organises a lucidly written theoretical account of the image around five major questions: What does it mean to see an image? Who watches the image? How is the relationship between viewer and image regulated? How does the image 'represent' the real world? and Why do we classify some images as art?" |
 | | The Image(Illustrated) by Jacques Aumont, Claire Pajackowska Hardcover, 249 Pages, Published 1997 by British Film Inst ISBN-13: 978-0-85170-409-8, ISBN: 0-85170-409-3 "Images have become a source of knowledge and persuasion as powerful as the written word. And yet the image, as it manifests itself in painting, cinema, journalism, TV and photography, remains an enigmatic device. This text provides a theoretical account of the image, centred around five major questions - what does it mean to see an image? Who watches the image? How is the relationship between viewer and image regulated? How does the ima ..." |
 | | The Image in Dispute Art and Cinema in the Age of Photography by James Dudley Andrew, Sally Shafto, Jacques Aumont, Robert Newman Paperback, 347 Pages, Published 1997 by University Of Texas Press ISBN-13: 978-0-292-70476-3, ISBN: 0-292-70476-3 "Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take u ..." |
 | | Aesthetics of Film(Updated) (Texas Film & Media Studies Series) by Jacques Aumont, Alain Bergala, Michel Marie, Marc Vernet, Richard Neupert Hardcover, 276 Pages, Published 1994 by University Of Texas Press ISBN-13: 978-0-292-70428-2, ISBN: 0-292-70428-3 |
 | | A quoi pensent les films by Jacques Aumont Paperback, 287 Pages, Published 1996 by Seguier ISBN-13: 978-2-84049-111-8, ISBN: 2-84049-111-7 |
 | | L'image by Jacques Aumont Paperback, 248 Pages, Published 1994 by Nathan ISBN-13: 978-2-09-190730-7, ISBN: 2-09-190730-8 "Editeur : Nathan Date de parution : 1994 Description : In-8, 248 pages, broché, occasion, très bon état Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles de marque Mail Lite. Photos supplémentaires sur simple demande. Réponses aux questions dans les 12h00. Merci. Wir sprechen nur Französisch, Englisch und Italienisch. Bitte stellt Ihre Fragen auf diesen Sprachen. Danke" |
 | | El ojo interminable / the Eye Endless Cine Y Pintura (Spanish Edition) by Jacques Autor Aumont Paperback, 208 Pages, Published 1997 by Ediciones Paidos Iberica ISBN-13: 978-84-493-0269-5, ISBN: 84-493-0269-2 |
 | | L'invention de la figure humaine Le cinéma, l'humain et l'inhumain : conférences du Collège d'histoire de l'art cinématographique, 1994-1995 (French Edition) by Jacques Aumont Library, 363 Pages, Published 1995 by Cinémathèque Française ISBN-13: 978-2-900596-13-5, ISBN: 2-900596-13-0 "Ainsi, j'ai appris de Jerry Lewis lui-même, au cours d'un entretien, que Billy Wilder lui avait ... C'est vrai pour Jerry Lewis : rappelez-vous la 81 ..." |
 | | La persistance des images Tirages, sauvegardes et restaurations dans la collection films de la Cinematheque francaise (French Edition) by Cinémathèque Française, Philippe Arnaud Paperback, 258 Pages, Published 1996 by Diffusion, Hazan ISBN-13: 978-2-900596-17-3, ISBN: 2-900596-17-3 |
 | | PROJECTIONS, TRANSPORTS DE L' IMAGE (Photographie) by Jacques Aumont Paperback, 235 Pages, Published 1997 by Hazan Le Fresnoy Afaa ISBN-13: 978-2-85025-570-0, ISBN: 2-85025-570-X "Evénement inaugural du Fresnoy, Studio national des arts contemporains, à Tourcoing, l'exposition s'articule autour de la lumière, l'apparition de l'image, son inscription dans l'espace et la place du regardeur." |
 | | Elokuva n estetiikka by Jacques Aumont, Sakari Toiviainen 255 Pages, Published 1996 ISBN-13: 978-951-37-1921-0, ISBN: 951-37-1921-9 |
 | | L'occhio interminabile. Cinema e pittura by Jacques Aumont 204 Pages, Published 1998 ISBN-13: 978-88-317-6999-0, ISBN: 88-317-6999-5 |
 | | Pour un cinéma comparé Influences et répétitions (Conférences du Collège d'histoire de l'art cinématographique) (French Edition) by Jacques Aumont Paperback, 422 Pages, Published 1996 by Cinematheque Francaise, Musee Du Cinema ISBN-13: 978-2-900596-16-6, ISBN: 2-900596-16-5 "Fondée au printemps 1957 pour produire les Mistons grâce aux fonds avancés par Ignace Morgenstern, le beau-père de François Truffaut, confortée en 1958, toujours avec l'appui d'Ignace Morgenstern, afin de mettre en chantier les Quatre ..." |
 | | El rostro en el cine / the Face In Film (Spanish Edition) by Jacques Aumont Paperback, 224 Pages, Published 1997 by Paidos Iberica Ediciones S A ISBN-13: 978-84-493-0478-1, ISBN: 84-493-0478-4 "Es, pues, el destino del rostro en el cine lo que aquí se pone en cuestión. Porque el cine es la única de las nuevas artes que nos ha acompañado durante todo este siglo." |
 | | Estetica del Cine / Aesthetics of film Espacio Fisico, Montaje, narracion, lenguaje / Physcial space, setting, narration, language (Spanish Edition) by Jacques Aumont, Alain Bergala, Michel Marie, Marc Vernet, Vv. Aa. Paperback, 344 Pages, Published 1996 by Paidos Iberica Ediciones S A ISBN-13: 978-84-7509-330-7, ISBN: 84-7509-330-2 "La presente obra ofrece un panorama completo sobre la teoría y la estética del cine según sus más destacados enfoques, de manera que las más importantes investigaciones sobre el tema acaban enmarcándose en una evolución histórica de los distintos momentos y corrientes que han ido configurando la teoría general del cine. Su estilo es sencillo y muy comprensible, y no sólo permite entender el cómo y el porqué de estas conclusiones, sino q ..." |
 | | L'analisi dei film (Paperback) by Jacques Aumont, Michel Marie Paperback, 312 Pages, Published 1997 by Bulzoni ISBN-13: 978-88-7119-967-2, ISBN: 88-7119-967-7 "Non esiste "il" film ma "i" film, non esiste un metodo universale di analisi che miracolosamente permetta a chiunque di analizzare qualunque film, ma esiste piuttosto un patrimonio di analisi specifiche di singoli film a cui è possibile rifarsi." |
 | | La couleur en cinéma (French Edition) by Jacques Aumont, J. Aumont Paperback, 177 Pages, Published 1995 by Cinémathèque Française ISBN-13: 978-88-202-1143-1, ISBN: 88-202-1143-2 |
 | | Introduction a la couleur Des discours aux images (Collection "Cinema et audiovisuel") (French Edition) by Jacques Aumont Paperback, 234 Pages, Published 1994 by Armand Colin ISBN-13: 978-2-200-21473-9, ISBN: 2-200-21473-1 "Armand Colin, coll. "Cinéma et audiovisuel", mai 1994" |
 | | Imagem(16th Edition) (a) by Jacques Aumont, Estela Dos Santos Paperback, 336 Pages, Published 1993 by Papirus ISBN-13: 978-85-308-0234-9, ISBN: 85-308-0234-9 "A imagem tornou-se uma disciplina do conhecimento humano, ao mesmo tempo em que permaneceu um domínio fascinante e parcialmente incógnito. Esse livro trata dos grandes problemas teóricos propostos pelo tema: O que é ver uma imagem? Qual espectador ela supõe? Como a imagem representa o mundo real? Como ela produz as significações? Quais os critérios que nos levam a considerar algumas dessas imagens como artísticas?" |
 | | Vampyr de Carl Th. Dreyer by Jacques Aumont Paperback, 157 Pages, Published 1993 by Yellow Now ISBN-13: 978-2-87340-091-0, ISBN: 2-87340-091-9 |
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