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Books by Jacques Aumont






Aesthetics of Film(Updated)
(Texas Film and Media Studies Series)
by Jacques Aumont, Michel Marie, Alain Bergala, Marc And Vernet, Richard Neupert
Paperback, 288 Pages, Published 1992 by University Of Texas Press
ISBN-13: 978-0-292-70437-4, ISBN: 0-292-70437-2

"A concise, lively, and readable summary of classical and contemporary film theory, Aesthetics of Film is the work of experts who are defining the parameters of film criticism internationally. First published in French (L'Esthetique du film) in 1983, the book provides an essential introduction to all major areas of film study, including semiotics, narratology, psychoanalysis as a part of film theory, and the theory of spectatorship. Beca ..."






Montage Eisenstein
(Theories of Representation & Difference)
by Jacques Aumont, Lee Hildreth, Constance Penley, Andrew Ross
Paperback, 256 Pages, Published 1987 by Indiana University Press
ISBN-13: 978-0-253-20366-3, ISBN: 0-253-20366-X

"This is one of the most important studies of Eisenstein to have appeared in any language. Acclaimed as the 'greatest filmmaker of all time,' Eisenstein is a figure of mythic dimension. The recent discovery and publication (in Russian) of thousands of pages of his theoretical writings have led to the realization that he was also one of the prolific and most consistent theoreticians of cinema. Jacques Aumont, a leading French film scholar ..."






The Image
by Jacques Aumont, Claire Pajackowska
Paperback, 255 Pages, Published 1997 by British Film Institute
ISBN-13: 978-0-85170-410-4, ISBN: 0-85170-410-7

"30 b/w illustrations Jacques Aumont's book organises a lucidly written theoretical account of the image around five major questions: What does it mean to see an image? Who watches the image? How is the relationship between viewer and image regulated? How does the image 'represent' the real world? and Why do we classify some images as art?"






Montage Eisenstein
by Jacques Aumont
253 Pages
ISBN-13: 978-0-608-20579-3, ISBN: 0-608-20579-6






Montage(2nd Edition)
(Kino-Agora)
by Jacques Aumont, Timothy Barnard
Paperback, 62 Pages, Published 2014 by Caboose
ISBN-13: 978-0-9811914-7-8, ISBN: 0-9811914-7-9

"Second edition, revised and expanded with 10 pages of new material. Describing editing as cinema's formal and aesthetic soul because of its ability to represent time, in this lyrical essay Jacques Aumont surveys the theory and practice of editing and montage, from early cinema to the digital era. Aumont addresses the Soviet filmmaker-theorists of the 1920s, of course - he is a translator of Eisenstein and the author of a book on Eis ..."






Montage Eisenstein
(Theories of Representation and Difference)
by Jacques Aumont, Lee Hildreth, Constance Penley, Andrew Ross
Hardcover, 243 Pages, Published 1987 by Indiana Univ Pr
ISBN-13: 978-0-253-33874-7, ISBN: 0-253-33874-3






Aesthetics of Film(Updated)
(Texas Film & Media Studies Series)
by Jacques Aumont, Alain Bergala, Michel Marie, Marc Vernet, Richard Neupert
Hardcover, 276 Pages, Published 1994 by University Of Texas Press
ISBN-13: 978-0-292-70428-2, ISBN: 0-292-70428-3






Du Rgime De L'Indignat En Algrie Classic Reprint
by Jacques Aumont-Thiéville
Hardcover, Published by Forgotten Books
ISBN-13: 978-0-266-88861-1, ISBN: 0-266-88861-5






Du Rgime De L'Indignat En Algrie Classic Reprint
by Jacques Aumont-Thiéville
Softcover, Published by Forgotten Books
ISBN-13: 978-0-259-35373-7, ISBN: 0-259-35373-6






André Bazin(1st Edition)
Selected Writings 1943-1958
by André Bazin, Jacques Aumont, Timothy Barnard
Hardcover, 503 Pages, Published 2018 by Rutgers Univ Pr
Abridged
ISBN-13: 978-1-927852-05-7, ISBN: 1-927852-05-6

"Following its acclaimed edition of selections from André Bazin’s What is Cinema?, caboose is pleased to present a greatly expanded collection of articles by France’s foremost film critic and theorist. André Bazin: Selected Writings 1943-1958 doubles the number of articles found in the earlier volume to twenty-six, making this the most comprehensive collection in English of a broad range of Bazin’s writings throughout his entire career, ..."






André Bazin(1st Edition)
Selected Writings 1943-1958
by André Bazin, Timothy Barnard, Jacques Aumont
Hardcover, 503 Pages, Published 2018 by Caboose
Abridged
ISBN-13: 978-1-978804-10-4, ISBN: 1-978804-10-5

"Following its acclaimed edition of selections from André Bazin’s What is Cinema?, caboose is pleased to present a greatly expanded collection of articles by France’s foremost film critic and theorist. André Bazin: Selected Writings 1943-1958 doubles the number of articles found in the earlier volume to twenty-six, making this the most comprehensive collection in English of a broad range of Bazin’s writings throughout his entire career, ..."






Montage
by Jacques Aumont
Published 2013
ISBN-13: 978-0-9811914-9-2, ISBN: 0-9811914-9-5






Declining Inequality in Latin America(1st Edition)
A Decade of Progress?
by Nora Claudia Lustig, Jacques Aumont
Paperback, 253 Pages, Published 2010 by Brookings Institution Press
Abridged, Audiobook, Box Set, Illustrated, Large Print
ISBN-13: 978-0-8157-0410-2, ISBN: 0-8157-0410-0

"Latin America is often singled out for its high and persistent income inequality. Toward the end of the 1990s, however, income concentration began to fall across the region. Of the seventeen countries for which comparable data are available, twelve have experienced a decline, particularly since 2000. This book is among the first efforts to understand what happened in these countries and why. Led by editors Felipe López-Calva and Nora L ..."






The Image(Illustrated)
by Jacques Aumont, Claire Pajackowska
Hardcover, 249 Pages, Published 1997 by British Film Inst
ISBN-13: 978-0-85170-409-8, ISBN: 0-85170-409-3

"Images have become a source of knowledge and persuasion as powerful as the written word. And yet the image, as it manifests itself in painting, cinema, journalism, TV and photography, remains an enigmatic device. This text provides a theoretical account of the image, centred around five major questions - what does it mean to see an image? Who watches the image? How is the relationship between viewer and image regulated? How does the ima ..."






American Short Fiction(Updated)
by Laura Furman, Jacques Aumont
Paperback, 276 Pages, Published 1992 by University Of Texas Press
ISBN-13: 978-0-292-70443-5, ISBN: 0-292-70443-7






The Image in Dispute
Art and Cinema in the Age of Photography
by James Dudley Andrew, Sally Shafto, Jacques Aumont, Robert Newman
Paperback, 347 Pages, Published 1997 by University Of Texas Press
ISBN-13: 978-0-292-70476-3, ISBN: 0-292-70476-3

"Photography, cinema, and video have irrevocably changed the ways in which we view and interpret images. Indeed, the mechanical reproduction of images was a central preoccupation of twentieth-century philosopher Walter Benjamin, who recognized that film would become a vehicle not only for the entertainment of the masses but also for consumerism and even communism and fascism. In this volume, experts in film studies and art history take u ..."






Montage Eisenstein Aumont, Jacques; Hildreth, L. and etc.
by Jacques Aumont, L. Hildreth, Bfi Publishing
Paperback, 235 Pages, Published 1987 by Bfi Publishing
ISBN-13: 978-0-85170-187-5, ISBN: 0-85170-187-6






Montage(Expanded)
by Aumont, Jacques, Barnard, Timothy
Paperback, 76 Pages, Published 2022 by Caboose
ISBN-13: 978-1-927852-20-0, ISBN: 1-927852-20-X






Essais Sur L'histoire Médico-topographique De Paris, Ou, Lettres À M. D'aumont
Sur Le Climat De…
by Jean Jacques Menuret de Chambaud, Arnulphe D' Aumont
400 Pages, Published 2018 by Wentworth Press
ISBN-13: 978-0-274-75916-3, ISBN: 0-274-75916-0






Que reste-t-il du cinéma?
by Jacques Aumont
Paperback, 120 Pages, Published 2013 by Vrin
ISBN-13: 978-2-7116-2443-0, ISBN: 2-7116-2443-9

"English summary: You can still see a movie in a theater, but they now also show at the museum or on a small mobile screen; and we often do not see a movie, but an extract, a clip. Does this mean that film has evolved into a larger and modern form? More radically, is it doomed to disappear or has it already disappeared due to the benefit of new technologies? French text. French description: Se demander ce qui reste , c'est se mettre d' ..."



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