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  | | André Bazin(1st Edition) Selected Writings 1943-1958 by André Bazin, Jacques Aumont, Timothy Barnard Hardcover, 503 Pages, Published 2018 by Rutgers Univ Pr Abridged ISBN-13: 978-1-927852-05-7, ISBN: 1-927852-05-6 "Following its acclaimed edition of selections from André Bazin’s What is Cinema?, caboose is pleased to present a greatly expanded collection of articles by France’s foremost film critic and theorist. André Bazin: Selected Writings 1943-1958 doubles the number of articles found in the earlier volume to twenty-six, making this the most comprehensive collection in English of a broad range of Bazin’s writings throughout his entire career, ..." |
 | | André Bazin(1st Edition) Selected Writings 1943-1958 by André Bazin, Timothy Barnard, Jacques Aumont Hardcover, 503 Pages, Published 2018 by Caboose Abridged ISBN-13: 978-1-978804-10-4, ISBN: 1-978804-10-5 "Following its acclaimed edition of selections from André Bazin’s What is Cinema?, caboose is pleased to present a greatly expanded collection of articles by France’s foremost film critic and theorist. André Bazin: Selected Writings 1943-1958 doubles the number of articles found in the earlier volume to twenty-six, making this the most comprehensive collection in English of a broad range of Bazin’s writings throughout his entire career, ..." |
 | | Montage(2nd Edition) (Kino-Agora) by Jacques Aumont, Timothy Barnard Paperback, 62 Pages, Published 2014 by Caboose ISBN-13: 978-0-9811914-7-8, ISBN: 0-9811914-7-9 "Second edition, revised and expanded with 10 pages of new material. Describing editing as cinema's formal and aesthetic soul because of its ability to represent time, in this lyrical essay Jacques Aumont surveys the theory and practice of editing and montage, from early cinema to the digital era. Aumont addresses the Soviet filmmaker-theorists of the 1920s, of course - he is a translator of Eisenstein and the author of a book on Eis ..." |
 | | Montage(Expanded) by Aumont, Jacques, Barnard, Timothy Paperback, 76 Pages, Published 2022 by Caboose ISBN-13: 978-1-927852-20-0, ISBN: 1-927852-20-X |
 | | André Bazin Selected Writings 1943-1958 by André Bazin, J. Aumont, Timothy Barnard Published 2018 ISBN-13: 978-1-927852-06-4, ISBN: 1-927852-06-4 |
 | | South American Cinema A Critical Filmography, L915-L994 (Paperback) by Timothy Barnard, Peter Rist Paperback, Published 2016 by Taylor And Francis 2016-11-18, London ISBN-13: 978-1-138-98259-8, ISBN: 1-138-98259-8 |
 | | Découpage by André Bazin, Timothy Barnard Published 2015 ISBN-13: 978-1-927852-03-3, ISBN: 1-927852-03-X |
 | | Découpage(2nd Edition) by Timothy Barnard Paperback, 80 Pages, Published 2014 by Caboose ISBN-13: 978-0-9918301-1-4, ISBN: 0-9918301-1-3 "In this volume, the only book on the topic of cinematic découpage in any language, Timothy Barnard surveys the writings of a broad range of filmmakers, historians and theorists of the classical and modern eras to explore the meanings of découpage and the usefulness of the concept to film criticism and theory today. Almost universally confused in English-language writing on film with editing-when it isn't completely ignored-découpage art ..." |
 | | Introduction to a True History of Cinema and Television by Jean-Luc Godard, Timothy Barnard Paperback, 470 Pages, Published 2014 by Caboose ISBN-13: 978-0-9811914-1-6, ISBN: 0-9811914-1-X ""Introduction to a True History of Cinema and Television" - Godard's 1978 talks given at Concordia University in Montreal as part of a projected video history of cinema; published in French in 1980; translated here into English for the first time." |
 | | South American Cinema A Critical Filmography, L915-L994 by Timothy Barnard, Peter Rist 426 Pages, Published 2013 by Routledge ISBN-13: 978-1-136-54548-1, ISBN: 1-136-54548-4 "... o'er Dr, Gdigari, DMJE Kael, Paulinelfi Kallta, Franzm Karibe Kori TempolE Kasander, Keeslj Kaspar, Stefan Kul'ln, Rodoliom Kuleuiimlm Kimtm' Wabamlfim tanonelfi L'Hcrloier, Martelm Laboratorio de Poeticas Cinemato~ gril'icas (Italy), Sa- ... See National Laboratories Laboratory of Film Poetics {film school} (Inmjj iado 05mm def mrdZI-'ifl, Him Lamarque, LilndeIllE Lamata, Lu is AlbertolEm Lancaster, Burt Landau, SaullE Landecl ..." |
 | | South American Cinema A Critical Filmography, L915-L994 by Timothy Barnard Published 2013 ISBN-13: 978-0-203-05609-7, ISBN: 0-203-05609-4 |
 | | South American Cinema A Critical Filmography, l915-l994 by Timothy Barnard, Peter Rist 426 Pages, Published 2013 by Routledge ISBN-13: 978-1-136-54555-9, ISBN: 1-136-54555-7 "Indeed, the onlyperiodwhen a numberof feature films weremade in Paraguay was in the late 1950s andearly '60s,whenArgentine filmmakers could find cheap film stock and exotic locations in Paraguay. ... by Paraguay's most celebrated author, Augusto Roa Bastos) and also directed her inan ArgentineParaguayan " coproduction," La burrerita de Ypacarai, in1961. ... films including a feature filmon the national military hero Francisco Solano ..." |
 | | South American Cinema A Critical Filmography, 1915-1994 by Timothy Barnard, Peter Rist 426 Pages, Published 2010 by University Of Texas Press ISBN-13: 978-0-292-79210-4, ISBN: 0-292-79210-7 "Centro Latinoamericano para el Análisis de la Democracia Embassy of Canada Fondo Nacional de las Artes Fundación Cinemateca Argentina Instituto Nacionalde Cinematografía y los Artes Audiovisuales Sindicato de la Industria Cinematográfica Argentina Manuel Antín, OscarBarneyFinn, Jorge Miguel Couselo, Leonardo Favio, Rafael Filippelli, Octavio Getino, Daniel López, Jorge López, Claudia Magne, Raúl Manrupe, Maricel Masat, Lautaro Murú ..." |
 | | New Latin American Cinema, Volume 2 Studies of National Cinemas (Contemporary Approaches to Film and Media Series) by Michael T. Martin, Carl J. Mora, Charles Berg, Julianne Burton, David R. Maciel, Timothy Barnard, Marvin D'lugo, Paulo Antonio Paranaguá, John Hess, John Ramírez, Frances Negrón-Muntaner, Carlos Diegues, Glauber Rocha, Robert Stam, Ismail Xavier, Randal Johnson, John King, Zuzana M. Pick, David William Foster, Catherine L. Benamou Hardcover, 544 Pages, Published 1997 by Wayne State University Press ISBN-13: 978-0-8143-2706-7, ISBN: 0-8143-2706-0 "Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural a ..." |
 | | Introduction to a True History of Cinema and Television by Jean-Luc Godard, Timothy Barnard, Serge Losique, Michael Witt Hardcover, 558 Pages, Published 2018 by Caboose ISBN-13: 978-0-9811914-2-3, ISBN: 0-9811914-2-8 "In 1978, just before his return to the international stage, the world’s most renowned art-film director Jean-Luc Godard improvised a series of fourteen one-hour talks at Concordia University in Montreal. These talks, part of a projected video history of cinema, were published in French in 1980. In this definitive English-language volume, translator Timothy Barnard has worked from the original footage to carefully revise and correct the ..." |
 | | The End of Cinema? A Medium in Crisis in the Digital Age (Film and Culture Series) by Philippe Marion, André Gaudreault, Timothy Barnard, Andrand#233 Paperback, 256 Pages, Published 2015 by Columbia University Press ISBN-13: 978-0-231-17357-5, ISBN: 0-231-17357-1 "Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," Andr Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme posit ..." |
 | | The End of Cinema? A Medium in Crisis in the Digital Age (Film and Culture Series) by Philippe Marion, André Gaudreault, Timothy Barnard, Andrand#233 Hardcover, 256 Pages, Published 2015 by Columbia University Press ISBN-13: 978-0-231-17356-8, ISBN: 0-231-17356-3 "Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape.The authors begin with an overview of the extreme positio ..." |
 | | The Kinematic Turn Film in the Digital Era and its Ten Problems (Kino-Agora) by Philippe Gaudreault Marion, André Gaudreault, Timothy Barnard Paperback, 51 Pages, Published 2012 by Caboose ISBN-13: 978-0-9811914-3-0, ISBN: 0-9811914-3-6 "Heralding the digital era of cinema as a return to its roots as a crossroads of other media and cultural practices, André Gaudreault and Philippe Marion challenge the prognosis that cinema is dying, arguing that cinema has always been more an 'evolving patchwork of federated cultural series' than a static form with a fixed identity. In a discussion ranging from early cinema, of which today's media landscape a century later is an eerie r ..." |
 | | Film and Attraction(1st Edition) From Kinematography to Cinema by Andre Gaudreault, Rick Altman, Timothy Barnard Hardcover, 224 Pages, Published 2011 by University Of Illinois Press ISBN-13: 978-0-252-03583-8, ISBN: 0-252-03583-6 "Establishing a new vision for film history, "Film and Attraction: From Kinematography to Cinema" urges readers to consider the importance of complex social and cultural forces in early film. Andre Gaudreault argues that Edison and the Lumieres did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten r ..." |
 | | Film and Attraction(1st Edition) From Kinematography to Cinema by Timothy Barnard, Andre Gaudreault, Rick Altman Paperback, 224 Pages, Published 2011 by University Of Illinois Press ISBN-13: 978-0-252-07805-7, ISBN: 0-252-07805-5 "Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. Andr\u00e9 Gaudreault argues that Edison and the Lumi\u00e8res did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the for ..." |
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