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  | | Light Falls Like Bits The Photography of Trey Ratcliff by Michelle Bogre, Eric Davis, Jordan Crandall, Clayton Morris, Trey Ratcliff Hardcover, 120 Pages, Published 2015 by Goff Books ISBN-13: 978-1-939621-17-7, ISBN: 1-939621-17-8 "As modes of display and mechanisms of dissemination continue to undergo rigorous renewals, novel systems supporting the consumption of aesthetic production will be forged. What we see, how we see, what we share, how we share, what we learn, how we learn – these are the critical questions whose answers will come to shape future lives. Imminent updates on web-based interactivity, interface and intercommunication will redefine the social r ..." |
 | | Military Vision by Baden Pailthorpe, Denis Beaubois, Matthieu Cherubini, Jordan Crandall 6 Pages, Published 2013 by Screen Space ISBN-13: 978-0-9872860-6-2, ISBN: 0-9872860-6-4 "Baden Pailthorpe, Denis Beaubois, Matthieu Cherubini, Jordan Crandall Kyle Weise , Simone Hine. destroyed in that it no longer exists 'televisually'. Visual artefacts from the camera's damaged nervous system (circuitry) attest to the physical ..." |
 | | Virilio and Visual Culture(1st Edition) (Critical Connections EUP) by John Armitage, Ryan Bishop, Joy Garnett, John Beck, Caren Kaplan, George Marcus, Tania Roy, Jordan Crandall Hardcover, 264 Pages, Published 2013 by Edinburgh University Press ISBN-13: 978-0-7486-5445-1, ISBN: 0-7486-5445-3 "This is the first genuine appraisal of Virilio's contributions to contemporary art, photography, film, television and more. Paul Virilio is one of the leading and most challenging critics of art and technology working today. Re-conceptualising the most enduring philosophical conventions on everything from technology and photography to literature, anthropology and cultural and media studies through his own original theories and arguments ..." |
 | | Scanning The Aberrant Architectures of Diller + Scofidio by K. Michael Hays, Aaron Betsky, Laurie Anderson, Jordan Crandall, Roselee Goldberg, Ashley .. And Schafer, Edward Dimendberg, Diller Scofidio Hardcover, 244 Pages, Published 2003 by Whitney Museum Illustrated ISBN-13: 978-0-87427-131-7, ISBN: 0-87427-131-2 "Among the most talked-about names in contemporary architecture, the firm of Diller + Scofidio has for the last two decades redefined what architecture can be. Through site-specific, highly conceptual works such as the acclaimed redesign of the famed Brasserie restaurant in New York City's Seagram Building, to the "Blur" building, created for the Swiss Expo 2002 and composed entirely of mist, the firm has consistently challenged and expa ..." |
 | | Interaction Artistic Practice in the Network by John S. Johnson, Jordan Crandall ., Amy Scholder Paperback, 168 Pages, Published 2001 by D.A.P./Eyebeam Atelier ISBN-13: 978-1-891024-24-5, ISBN: 1-891024-24-8 "INTERACTION began as online forum, hosted by Eyebeam Atelier, featuring an international group of artists, scholars, critics, architects, students, technicians, and curators. Discussing the transformations wrought by the Internet--particularly the latter's implications for artistic practices--the participants in this forum illustrate how the impassioned debates taking place on the Net can help forge new kinds of communities, discourses, ..." |
 | | VOTI Union of the Imaginary: A Forum for Curators by Susan Hapgood, Vasif Kortun, November Paynter, Jordan Crandall, Carlos Basualdo, Hans Ulrich Obrist Paperback, 440 Pages, Published 2017 by Koenig Books ISBN-13: 978-3-86335-908-9, ISBN: 3-86335-908-9 "VOTI was an online forum that was founded in 1998--long before such forums were common--as a digital venue for discussion among contemporary art curators, many of whom are among today's most prominent museum professionals. Among the participants were Carlos Basualdo, Daniel Birnbaum, Francesco Bonami, Carolyn Christov-Bakargiev, Jordan Crandall, Okwui Enwezor, Charles Esche, Bettina Funcke, Hou Hanru, Susan Hapgood, Jens Hoffmann, Corne ..." |
 | | Le Mois de la Photo à Montréal Drone: The Automated Image by Paul Wombell, Jordan Crandall, Francine Dagenais, George Legrady Hardcover, 232 Pages, Published 2013 by Kerber ISBN-13: 978-3-86678-803-9, ISBN: 3-86678-803-7 "This accompanying publication of the 13th edition of Le Mois de la Photo à Montréal, an international biennale of contemporary photography, is lavishly illustrated with the works of 27 artists and includes essays by leading commentators on contemporary art and technology." |
 | | Concerning War(2nd Edition) A Critical Reader in Contemporary Art (BAK Critical Reader) by Ross Birrell, Boris Buden, Jordan Crandall, Bregje Van Eekelen, Boris Groys, Viktor Misiano, Irit Rogoff, Martha Rosler, Sean Snyder, Hito Steyerl, Maria Hlavajova, Jill Winder Paperback, 256 Pages, Published 2011 by Post Editions ISBN-13: 978-94-6083-027-3, ISBN: 94-6083-027-7 "In the second edition of this idea-packed reader -- first published to accompany the 2005 exhibition, ''Soft Target. War as a Daily, First-Hand Reality'' at BAK -- artists, curators, theorists and others speak on the urgent subject of war in the post-9/11 world. The voices of artists are still needed to make sense of the current state of global conflict, financial meltdown and ecological disasters such as the BP oil spill. This edition, ..." |
 | | Jordan Crandall Under Fire 2: The Organization and Representation of Violence (v. 2) by Thomas Keenan, Ryan Bishop, Benjamin Bratton, David Campbell, James Der Derian, Madelaine Drohan, Paul Edwards, Bracha Lichtenberg Ettinger, Joy Garnett, Salwa Ghaly, Stephen Graham, Anahid Kassabian, Mary Keller, Chris Hables Gray, Saba Mahmood, Amir Parsa, Jordan Crandall, Contributor-Antonio Monegal, Contributor-Sarit Shapira, Amit Rai, Radika Subramaniam, Ananya Vajpeyi, Ana Valdes, Nabeel Ziad Paperback, 112 Pages, Published 2005 by Witte De With Center For Contemporary Art ISBN-13: 978-90-73362-65-9, ISBN: 90-73362-65-2 ""Under Fire 2" is the second collection edited by Jordan Crandall in an ongoing project that explores the organization and representation of armed conflict. Emerging from online dialogues among a group of artists, theorists, scientists, critics, activists and journalists during three months of 2004 and reorganized thematically, the discussions in "Under Fire 2" aim to offer new insights into symptomatic violence. The book covers issues ..." |
 | | Jordan Crandall Under Fire 1: The Organization and Representation of Violence (Part 1) by Akbar Ahmed, John Armitage, Asef Bayat, Jordan Crandall, Ryan Bishop Paperback, 96 Pages, Published 2005 by Witte De With Publishers ISBN-13: 978-90-73362-61-1, ISBN: 90-73362-61-X "Through a series of discussions about an array of issues--battle simulation techniques and news programming, democracy and violence, the privatization of the military, and militarized bodies--Jordan Crandall explores the organization and representation of contemporary armed conflict. Moderated by Crandall, Under Fire 1 is a compilation of a series of dialogues that occurred online from January 25 through April 19, 2004 between artists, ..." |
 | | Jordan Crandall(1st Edition) Drive by Jordan Crandall, Peter Weibel, Brian Holmes Paperback, 256 Pages, Published 2002 by Hatje Cantz Publishers ISBN-13: 978-3-7757-1174-6, ISBN: 3-7757-1174-0 "Combining traditional film technologies and computerized military programs for tracking, identifying, and targeting, Jordan Crandall's seven-part video installation Drive depicts movement through means that go miles beyond the conventions of cinema. In Drive, as elsewhere today, bodies and physical movements are no longer objects of representation, but collated and processed computer data from thermal imaging machines and night vision o ..." |
 | | Jordan Crandall - Trigger-Project, Oldenburg Edith-Russ Site for Media Arts by Jordan Crandall, Rosanne Altstatt, Neil Kendricks Paperback, 96 Pages, Published 2002 by Oldenburg: Edith-Russ Site For Media Arts; Frankfurt Am Main: Revolver ISBN-13: 978-3-934823-55-6, ISBN: 3-934823-55-6 "In seinem Projekt »Trigger« beschäftigt sich Jordan Crandall mit dem, was man kurz als »militarisierte Sehen« definieren könnte, eine gewandelte Form der Wahrnehmung, ausgelöst durch den Einsatz von Überwachungskameras und anderer visueller Technologien, die zunehmend die Lebensrealität des Normalbürgers bestimmen. »›Trigger‹ ist eine Videoinstallation, die Auge, Kamera und Waffe in einer erotischen Kampfphysiologie vereinigt. Das Bildm ..." |
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