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Practicable(1st Edition)
From Participation to Interaction in Contemporary Art (Leonardo Book Series)
by Samuel Bianchini, Erik Verhagen, Nathalie Delbard, Larisa Dryansky, Margit Rosen, Luke Skrebowski, Simon Penny, Vanessa Theodoropoulou, Emanuele Quinz, Glória Ferreira, Marion Hohlfeldt, Christophe Charles, Eric Kluitenberg, Arnd Schneider, Anna Dezeuze, Pierre Huyghe, Véronique Goudinoux, Judith Ickowicz, Katrin Gattinger, Giovanna Zapperi, Diedrich Diederichsen, Peter Lunenfeld, Sarah Cook, Christophe Leclerq, Renate Wiehager, Catherine Wood, Jean-Pierre Cometti, Jean-Paul Fourmenetraux, Jean-Louis Boissier, Jean-Christophe Bailly, Janet Kraynak, Françoise Parfait, Gilles Froger, Jean Gagnon, Christophe Domino, Daniel Pinkas, Andrea Urlberger, Madeline Schwartzman, Dominique Moulon, Julie Martin, Franz Erhard Walther, Jochen Gerz, Piero Gilardi, Peter Weibel, Masaki Fujihata, Dominique Cunin, Mayumi Okura, Thomas Hirschhorn, Eddie Panier, Jordan Crandall, Anne Zeitz, Rirkrit Tiravanija, Chantal Pontbriand, Seiko Mikami, Hiroko Myokam, Ernesto Neto, Rafael Lozano-Hemmer, Alberto Sánchez Balmisa, Matt Adams, Frédérik Lesage, Usman Haque, Valérie Châtelet, Helen Evans, Heiko Hansen, Lawrence Malstaf, Jeppe Hein, Ferderik Schikowski, Bruno Latour, Nicolas Bourriaud, Claire Bishop, David Zerbib, Sean Cubitt
Hardcover, 952 Pages, Published 2016 by The Mit Press
ISBN-13: 978-0-262-03475-3, ISBN: 0-262-03475-1

"Critical analyses, case studies, and artist interviews examine works of art that are realized with the physical involvement of the viewer. How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created p ..."

Photo / Objet / Concept(Updated)
Pour une lecture élargie de la photographie dans l'art conceptuel (Pour une histoire nouvelle de l'Europe) (French Edition)
by Larisa Dryansky, Guillaume Le Gall, Tom/Dryansky Dutheil
Paperback, 160 Pages, Published 2019 by P.I.E-Peter Lang S.A., Éditions Scientifiques Internationales
ISBN-13: 978-2-8076-0970-9, ISBN: 2-8076-0970-8

"Cet ouvrage entend modifier le point de vue sur l’art conceptuel en partant des multiples manières dont des artistes associés au mouvement ont eu recours à la photographie. Cette approche de l’art conceptuel nécessite de prendre de la distance par rapport au modèle anglo-américain en élargissant l’observation à d’autres aires géographiques comme celles du Brésil, de l’Italie, du Japon et de la Pologne. Le choix d’une focale élargie rass ..."

Ed Ruscha(1st Edition)
A Reader: (Französische Ausgabe)
by Ed Ruscha, Robert Dean, Briony Fer, Michel Gauthier, Elisabeth A. Kessler, Anne Moeglin-Delcroix, Linda Norden, Margit Rowell, John Tain, Lisa Turvey, Benoit Buquet, Jean-Pierre Criqui, Larisa Dryansky
Paperback, 224 Pages, Published 2019 by Jrp Editions Sa
ISBN-13: 978-3-03764-546-8, ISBN: 3-03764-546-6

Ed Ruscha(1st Edition)
A Reader
by Ed Ruscha, Jean-Pierre Criqui, Robert Dean, Briony Fer, Michel Gauthier, Anne Moeglin-Delcroix, Linda Norden, Margit Rowell, John Tain, Benoit Buquet, Larisa Dryansky, Lisa Turvey, Elizabeth A. Kessler, Cécile Whiting, Elisabeth A. Kessler
Hardcover, 224 Pages, Published 2019 by Jrp | Ringier
ISBN-13: 978-3-03764-538-3, ISBN: 3-03764-538-5

"Since the mid-1960s, Ed Ruscha (born 1937) has developed iconic bodies of work in painting, photography, bookmaking and film. Conceived as a reader to Ruscha's practice, this publication brings together original contributions and case studies by an international array of renowned art critics and writers, including Robert Dean, Lisa Turvey, Cécile Whiting, Jean-Pierre Criqui, Anne Moeglin-Delcroix, Benoît Buquet, Briony Fer, Linda Norden ..."

CARTOPHOTOGRAPHIES
DE L'ART CONCEPTUEL AU LAN ART (L'ART ET L'ESSAI) (French Edition)
by Dryansky Larisa
Paperback, 336 Pages, Published 2017 by Cths Edition
ISBN-13: 978-2-7355-0850-1, ISBN: 2-7355-0850-1

"La 4e de couv. indique : "C’est au moyen de la cartographie et de la photographie que nombre d’artistes associés à l’art conceptuel et au Land Art ont interrogé le rapport que l’œuvre entretient avec le réel."